Tati Cotliar by Andrea Spotorno for Ten Magazine Summer 2010

Joanna Elizabeth

/

Published June 28, 2010

Couture takes to streets with this latest story from Ten Magazine‘s summer edition. Starring Valentino girl Tati Cotliar (Next) and styled by Jodie Barnes, Tati roams anywhere and everywhere in looks from Elie Saab, Christian Dior and of course, Valentino, under the gaze of Andrea Spotorno.










Recent Updates

Taylor Hill Banana Republic Summer Featured

Taylor Hill Luxuriates in Banana Republic Summer 2024 Ad

Banana Republic unveils its summer 2024 campaign with Taylor Hill taking the spotlight. Shot on location in Mérida, Mexico, the ...
Versace Watches Spring 2024 Featured

Versace’s Spring 2024 Watches Have a Timeless Appeal

Versace watches shine in a new spring-summer 2024 campaign, featuring model Camille Chifflot. The campaign showcases two striking timepieces: the ...
Sydney Sweeney Jimmy Choo Featured

Sydney Sweeney is Cali Cool in Jimmy Choo Summer 2024 Ad

Sydney Sweeney exudes effortless style in Jimmy Choo's summer 2024 campaign, 'Road to Joy.' The dynamic advertisements feature the blonde ...
Balmain Hair 2024 Featured

Balmain Hair Showcases Iconic Tresses with a Major Campaign

Balmain Hair marks a milestone in its history with the release of its largest campaign yet, titled Savoir-Faire, celebrating 50 ...
Candice Swanepoel Tropic C April Featured

Candice Swanepoel Rocks Swim Season in Tropic of C’s Latest

Tropic of C, founded by Candice Swanepoel, welcomes the swim season with an exciting new drop. The supermodel brings her ...
Lauren Ralph Lauren Summer 2024 Featured

Lauren Ralph Lauren Summer 2024: Countryside Chic

Lauren Ralph Lauren exudes a relaxed elegance in its summer 2024 campaign, featuring models Blanca Padilla and Cora Emmanuel. Showcasing ...

76 thoughts on “Tati Cotliar by Andrea Spotorno for Ten Magazine Summer 2010”

    • I agree. Something about it feels like a test. Maybe its the fact that the photos are off center, or that it looks like Tati did the hair/makeup herself. I understand where they were going with this. It feels unconventional, but sacrifices professionalism. There were probably better shots.

      Reply
    • I agree. Something about it feels like a test. Maybe its the fact that the photos are off center, or that it looks like Tati did the hair/makeup herself. I understand where they were going with this. It feels unconventional, but sacrifices professionalism. There were probably better shots.

      Reply
    • I agree. Something about it feels like a test. Maybe its the fact that the photos are off center, or that it looks like Tati did the hair/makeup herself. I understand where they were going with this. It feels unconventional, but sacrifices professionalism. There were probably better shots.

      Reply
  1. The dior and elie saab were beautiful shots, but the rest looked like she was playing dress up with her mum’s (very expensive) clothes. and I like the frame of elie saab shot, I can imagine living in my paris apartment over looking paris!

    Reply
  2. The dior and elie saab were beautiful shots, but the rest looked like she was playing dress up with her mum’s (very expensive) clothes. and I like the frame of elie saab shot, I can imagine living in my paris apartment over looking paris!

    Reply
  3. yuck.. snap shot for the sake of snapshot is not aesthetic, its not like Jurgen railing against gloss… this is just sloppy and ugly..

    Reply
  4. yuck.. snap shot for the sake of snapshot is not aesthetic, its not like Jurgen railing against gloss… this is just sloppy and ugly..

    Reply
  5. yuck.. snap shot for the sake of snapshot is not aesthetic, its not like Jurgen railing against gloss… this is just sloppy and ugly..

    Reply
  6. yuck.. snap shot for the sake of snapshot is not aesthetic, its not like Jurgen railing against gloss… this is just sloppy and ugly..

    Reply
  7. if you think about what fashion photography is trying to achieve, highlighting the clothes, it is successful. So many editorials look like portrait sessions for the model. That's not what it's about. Look at the photos again, concentrating on the pieces, not the girl.

    Reply
  8. if you think about what fashion photography is trying to achieve, highlighting the clothes, it is successful. So many editorials look like portrait sessions for the model. That's not what it's about. Look at the photos again, concentrating on the pieces, not the girl.

    Reply
  9. if you think about what fashion photography is trying to achieve, highlighting the clothes, it is successful. So many editorials look like portrait sessions for the model. That's not what it's about. Look at the photos again, concentrating on the pieces, not the girl.

    Reply
  10. if you think about what fashion photography is trying to achieve, highlighting the clothes, it is successful. So many editorials look like portrait sessions for the model. That's not what it's about. Look at the photos again, concentrating on the pieces, not the girl.

    Reply

Leave a Reply to moo Cancel reply