Catherine McNeil for Vogue Australia September 2010 by Max Doyle

Joanna Elizabeth

/

Published August 4, 2010

A year after her mesmerizing appearance with Abbey Lee Kershaw, Catherine McNeil is the cover star of the Vogue Australia’s September issue that births yet another unforgettable editorial shot by Max Doyle (The Names Agency). Going back to the 1950s, Catherine is a mix of naughty, nice and everything in between in Doyle’s Pretty Baby. Styled by Naomi Smith, the Aussie beauty dons garments from Givenchy, Christopher Kane, Louis Vuitton and more that mix retro modesty with modern allure.

















Recent Updates

Jennie Gentle Monster 2024 Featured

Jennie & Gentle Monster’s New Eyewear Collab is Beyond Chic

Gentle Monster and Jennie from Blackpink join forces once again for their 'Jentle Salon' collaboration. The third collaboration between the ...
Alo Yoga Tennis Club 2024 Featured

Alo Yoga Aces the Style Game with Tennis Club Capsule

In the sun-drenched courts of chic and leisure, Alo Yoga unveils its Tennis Club collection, a tasteful nod to the ...
Kim Kardashian SKIMS Swim Featured

Kim Kardashian Sets Summer on Fire in SKIMS 2024 Swimwear

Kim Kardashian, the reality TV star turned business mogul, is once again commanding attention with her latest SKIMS Swim 2024 ...
Ferragamo Pre-Fall 2024 Featured

Ferragamo Pre-Fall 2024: Get Lost in the Fashion Fantasy

Ferragamo's pre-fall 2024 campaign fuses art, history, and fashion captured through the lens of Harley Weir. In a striking juxtaposition, ...
Jisoo Self-Portrait Pre-Fall 2024 Featured

Blackpink’s Jisoo Inspires in Self-Portrait Pre-Fall 2024 Ad

Jisoo, a member of Blackpink, enchants in the Self-Portrait pre-fall 2024 campaign, presented in a setting that's both personal and ...
Estee Lauder Legacy Featured

Carolyn Murphy Stuns in Estée Lauder Legacy Fragrance Ad

In a graceful fusion of heritage and modernity, Estée Lauder introduces the Legacy collection fragrance, a lineup of five legendary ...

35 thoughts on “Catherine McNeil for Vogue Australia September 2010 by Max Doyle”

  1. The location shots are good. It tells some kind of story. The studio shots are, well, for window shoppers. "She looks gorgeous," is not a good excuse to shoot an editorial.

    Reply
  2. The location shots are good. It tells some kind of story. The studio shots are, well, for window shoppers. "She looks gorgeous," is not a good excuse to shoot an editorial.

    Reply
  3. This makes me sad… Cathrine is amazing..

    Max Doyle along with Vogue Australia disappoint again….

    I like the greaser 50's rocking roll thing with the guys but whats with the location? (rock'n'rollers in the 50's did not tag!)

    And the studio shots are boring…

    Max once again you have been given all the tools to shoot something great and once again you let Australia down…

    Reply
  4. This makes me sad… Cathrine is amazing..

    Max Doyle along with Vogue Australia disappoint again….

    I like the greaser 50's rocking roll thing with the guys but whats with the location? (rock'n'rollers in the 50's did not tag!)

    And the studio shots are boring…

    Max once again you have been given all the tools to shoot something great and once again you let Australia down…

    Reply
  5. Pin-Ups! Love it. 50's fashion has a cult following for sure…very excited for it to be coming back into the mainstream.

    I agree with Magnus….the studio shots were a bit disappointing, locations are great though.

    Oh and that first shot, the leopard and the polka dots…gorgeous.

    Reply
  6. Pin-Ups! Love it. 50's fashion has a cult following for sure…very excited for it to be coming back into the mainstream.

    I agree with Magnus….the studio shots were a bit disappointing, locations are great though.

    Oh and that first shot, the leopard and the polka dots…gorgeous.

    Reply
  7. The fact that the chucks and creepers used in this shoot are brand spankin' new is just sooo ridiculous to me! No badass keeps his/her shoes in pristine condition! No way would these dudes' kicks be so squeaky clean if they were in fact "up to no good." Everybody looks to clean and for the mood this editorial's trying to create, that just does not work!

    Reply
  8. The fact that the chucks and creepers used in this shoot are brand spankin' new is just sooo ridiculous to me! No badass keeps his/her shoes in pristine condition! No way would these dudes' kicks be so squeaky clean if they were in fact "up to no good." Everybody looks to clean and for the mood this editorial's trying to create, that just does not work!

    Reply
  9. You people need to lighten up a little. The shoot is fantasy, stop bugging about authentic locations, squeaky clean shoes and graffiti. It's all about good vibrations. I see this and I feel good vibrations. Makes me want to buy my boyfriend a leather jacket and a switchblade comb and go out dancing. There aren't many fashion stories in this country that make you want to dream. Thanks Vogue.

    Reply
  10. You people need to lighten up a little. The shoot is fantasy, stop bugging about authentic locations, squeaky clean shoes and graffiti. It's all about good vibrations. I see this and I feel good vibrations. Makes me want to buy my boyfriend a leather jacket and a switchblade comb and go out dancing. There aren't many fashion stories in this country that make you want to dream. Thanks Vogue.

    Reply
  11. Max Doyle, you are given the best team – not to mention one of the world's current top models.. and this is all you can come up with?

    Reply
  12. Max Doyle, you are given the best team – not to mention one of the world's current top models.. and this is all you can come up with?

    Reply

Leave a Reply to taryn Cancel reply