Fresh Start – H&M enlists an all star cast for its spring 2012 “Fresh Start” campaign shot by Inez van Lamsweerde and Vinoodh Matadin. Models Sasha Pivovarova, Natasha Poly, Isabeli Fontana and Anais Mali all wear stylish looks in bright pastels paired with neutral hues and shiny sequins.
The New Fifties – Natasha Poly and Isabeli Fontana team up with Inez van Lamsweerde and Vinoodh Matadin for the March cover shoot of Vogue China. Garbed in retro style designs selected by Nicoletta Santoro, Natasha and Isabeli take to a diner setting in pastel creations from Marc Jacobs, Prada and Erdem amongst others. Lush curls by Duffy (Streeters) and flawless makeup by Aaron de Mey give the retro divas a high gloss beauty look.
Cavalli’s Sumptuous Fall – Roberto Cavalli presented a sumptuous fall 2012 collection made of pure glamour for the final day of Milan Fashion Week. Cavalli’s vision of autumn included short dresses in jewel toned colors of emerald-green, plum, fuchsia, electric blue and burgundy. Animal prints, fur and leather gloves dominated the runway as models sported long bohemian locks matched with smokey eyes. As the show continued, Cavalli introduced maxi dresses layered underneath long overcoats. Saving the best for last, supermodel Naomi Campbell closed the show in a stunning beaded gown with a plunging neckline.
Dolce & Gabbana’s Baroque Woman – Dolce & Gabbana’s Italian glamour took a turn for bejeweled, Baroque inspired beauty with designers Domenico Dolce and Stefano Gabbana’s fall 2012 showing presented during Milan Fashion Week. Influenced by Sicilian art work, models took to the runway in brocade and cherub tapestry prints. Accessories for the show included bejeweled headbands, gold jewelry and pearl adorned handbags. Delicate lace work was also on display with ladylike dresses that reached the knee and black veils worn like the Madonna. Bringing some sex appeal to the demure showing, Dolce sent out lingerie inspired bustiers and hot pants for a cheeky take on the Baroque influence.
Pucci’s Pared Down Fall – Emilio Pucci’s bohemian chic took a turn for glamorous minimalism with its fall 2012 presentation shown during Milan Fashion Week. Creative director Peter Dundas opened with a strong showing of black dresses in slinky silhouettes. Luxe crocodile, crystal detailing and sheer cutouts brought some sex appeal to the minimal designs. As the show progressed, some color was introduced in the form of sky blue and nude tones. Menswear inspired looks such as modified tuxedo jackets and tailored pants also made an appearance. With the lack of prints and fringe, it appears that the Pucci woman might be growing up, but as Dundas’ designs suggest–it doesn’t mean a loss of sex appeal for the upcoming autumn.
Versace’s Tough Glamour – Donatella Versace opted for a dark color palette with rock and roll undertones for Versace’s fall 2012 show presented during Milan Fashion Week. Sexy silhouettes, metal mesh and jewel encrusted Byzantine crosses dominated the runway as models donned short hemlines and fitted jackets for autumn. Embracing a dark edge, Versace matched form-fitting designs with leather gloves and severe hair. Adding to the glamazon looks were heeled boots made of more mesh that ended at the knee. The Versace logo was even incorporated on a few pieces in the form of bold, graphic lettering. For the finale, a gown of pure silver chains and metallic fabric hit the catwalk for an armored yet luxe end statement.
Prada’s Technicolor Fall – One of the most highly anticipated shows of Milan Fashion Week, Prada, presented its fall 2012 collection on Thursday. Miuccia Prada placed focused on modified pantsuits, tailored coats and graphic prints for the new season. Opening with stark black looks, the Italian designer embellished coats and pants with beads or large jewelry pieces. As the collection progressed, color was introduced in the form of geometric patterns ranging from deep purple to orange marmalade. Moving on from last season’s pastel hues, Prada reinvented sixties staples such as long vests, tailored suiting and platform heels for the modern woman. Beauty for the show was almost as bold as the clothing itself, with models sporting ombre hair and smokey raccoon eyes for the new season.
Fendi’s Furry Fall – For fall 2012, Fendi was in its element presenting a collection of extravagant fur outerwear and structural-based silhouettes on the second day of Milan Fashion Week. Designers Karl Lagerfeld and Silvia Venturini Fendi chose a color palette of tawny blonde, navy and ash grey to tell a story of winter glamour complete with leather dresses, pleated skirts and puffed-up shoulders. The season’s separates were divided by an oval belt, accentuating the waist and creating a classic feminine shape underneath voluminous coats. Beauty for the show including thick coils as pigtails and icy eye shadow for a look suited to a mountainous region.
Gucci’s Gothic Fall – For fall 2012, Gucci creative director Frida Giannini presented a darkly decadent collection of billowing gowns, relaxed suiting and lush coats for the first day of Milan Fashion Week. Slinky and sensuous silhouettes dominated the runway in moody hues of inky black, dark emerald, plum, burgundy and sapphire blue. Chiffon gowns brought a romantic touch to the dark palette. Luxurious materials of feathers, crushed velvet and leather also made an appearance. For the finale, Giannini sent out sheer dresses embellished with sparkling leaf shapes–a testament to the strong yet feminine spirit of autumn.
Wang’s Pared Down Fall – After last season’s array of prints and racing motifs, Alexander Wang chose a more pared down approach for his fall 2012 show featuring an all-star cast including Gisele Bundchen, Shalom Harlow, Frankie Rayder and Karolina Kurkova amongst others. This season went back to Wang’s roots albeit a tad more polished with leather coats, netted masks which covered models’ lower faces and knitted sweaters. The collection was minimal with a focus on embellishments such as military inspired accents on trench coats, chiffon tops and sculpted shoulders. Despite its simplicity, the showing turned out to be one of the designer’s strongest efforts yet proving less is indeed more.