Catherine McNeil for Vogue Australia September 2010 by Max Doyle

Joanna Elizabeth

/

Published August 4, 2010

A year after her mesmerizing appearance with Abbey Lee Kershaw, Catherine McNeil is the cover star of the Vogue Australia’s September issue that births yet another unforgettable editorial shot by Max Doyle (The Names Agency). Going back to the 1950s, Catherine is a mix of naughty, nice and everything in between in Doyle’s Pretty Baby. Styled by Naomi Smith, the Aussie beauty dons garments from Givenchy, Christopher Kane, Louis Vuitton and more that mix retro modesty with modern allure.

















Recent Updates

Bella Hadid Orebella Featured

Bella Hadid & Orebella: See the Model’s New Perfume Launch

Bella Hadid ventures into the fragrance world by launching her own perfume brand, Orebella. The 27-year-old supermodel stars in its ...
Self Portrait Bridal 2024 Featured

Say I Do with Self-Portrait’s Bridal Capsule Collection

The Self-Portrait bridal capsule collection embraces a captivating balance between contemporary allure and timeless elegance. The collection features a variety ...
Versace Eyewear 2024 Featured

Iris Law is Pretty in Pink for Versace Eyewear 2024 Ad

Versace eyewear unveils its spring-summer 2024 campaign, vividly portraying style and color, featuring the radiant Iris Law. Set against a ...
Kristine Froseth Vogue Scandinavia Featured

The Buccaneers’ Kristine Froseth Talks Love in Vogue Scandinavia

Kristine Froseth graces the April 2024 digital cover of Vogue Scandinavia, unveiling a layered look with a printed scarf. Photographed ...
Gisele Bundchen Vaara Spring Featured

Gisele Bundchen is a Beach Babe in Vaara Spring 2024 Ad

Supermodel Gisele Bundchen heralds the arrival of swim season with her striking appearance in Vaara’s spring-summer 2024 campaign. The London-based ...
Louis Vuitton Bags Spring Featured

Louis Vuitton Handbags Spring 2024: Sailing Into Style

The Louis Vuitton handbag spring-summer 2024 campaign celebrates classic luxury and nautical charm. Set against the serene backdrop of the ...

35 thoughts on “Catherine McNeil for Vogue Australia September 2010 by Max Doyle”

  1. The location shots are good. It tells some kind of story. The studio shots are, well, for window shoppers. "She looks gorgeous," is not a good excuse to shoot an editorial.

    Reply
  2. The location shots are good. It tells some kind of story. The studio shots are, well, for window shoppers. "She looks gorgeous," is not a good excuse to shoot an editorial.

    Reply
  3. This makes me sad… Cathrine is amazing..

    Max Doyle along with Vogue Australia disappoint again….

    I like the greaser 50's rocking roll thing with the guys but whats with the location? (rock'n'rollers in the 50's did not tag!)

    And the studio shots are boring…

    Max once again you have been given all the tools to shoot something great and once again you let Australia down…

    Reply
  4. This makes me sad… Cathrine is amazing..

    Max Doyle along with Vogue Australia disappoint again….

    I like the greaser 50's rocking roll thing with the guys but whats with the location? (rock'n'rollers in the 50's did not tag!)

    And the studio shots are boring…

    Max once again you have been given all the tools to shoot something great and once again you let Australia down…

    Reply
  5. Pin-Ups! Love it. 50's fashion has a cult following for sure…very excited for it to be coming back into the mainstream.

    I agree with Magnus….the studio shots were a bit disappointing, locations are great though.

    Oh and that first shot, the leopard and the polka dots…gorgeous.

    Reply
  6. Pin-Ups! Love it. 50's fashion has a cult following for sure…very excited for it to be coming back into the mainstream.

    I agree with Magnus….the studio shots were a bit disappointing, locations are great though.

    Oh and that first shot, the leopard and the polka dots…gorgeous.

    Reply
  7. The fact that the chucks and creepers used in this shoot are brand spankin' new is just sooo ridiculous to me! No badass keeps his/her shoes in pristine condition! No way would these dudes' kicks be so squeaky clean if they were in fact "up to no good." Everybody looks to clean and for the mood this editorial's trying to create, that just does not work!

    Reply
  8. The fact that the chucks and creepers used in this shoot are brand spankin' new is just sooo ridiculous to me! No badass keeps his/her shoes in pristine condition! No way would these dudes' kicks be so squeaky clean if they were in fact "up to no good." Everybody looks to clean and for the mood this editorial's trying to create, that just does not work!

    Reply
  9. You people need to lighten up a little. The shoot is fantasy, stop bugging about authentic locations, squeaky clean shoes and graffiti. It's all about good vibrations. I see this and I feel good vibrations. Makes me want to buy my boyfriend a leather jacket and a switchblade comb and go out dancing. There aren't many fashion stories in this country that make you want to dream. Thanks Vogue.

    Reply
  10. You people need to lighten up a little. The shoot is fantasy, stop bugging about authentic locations, squeaky clean shoes and graffiti. It's all about good vibrations. I see this and I feel good vibrations. Makes me want to buy my boyfriend a leather jacket and a switchblade comb and go out dancing. There aren't many fashion stories in this country that make you want to dream. Thanks Vogue.

    Reply
  11. Max Doyle, you are given the best team – not to mention one of the world's current top models.. and this is all you can come up with?

    Reply
  12. Max Doyle, you are given the best team – not to mention one of the world's current top models.. and this is all you can come up with?

    Reply

Leave a Reply to brat Cancel reply