BCBG Max Azria Spring – The spring 2014 collection from BCBG Max Azria opened with an understated outing of pale neutrals with deconstructed pieces evoking trench coats and menswear shirts. “We were inspired by nature and modern art. Contemporary art inspired the choice of vivid colors, while more muted tones glean inspiration from the natural beauty of the world around us,” Lubov Azria, Chief Creative Officer of BCBG says about the new collection. Indeed, the nature part kicked in for the second part of the spring collection which focuses on botanical prints and sheer panels, showing a little skin. The inspiration shows the dual sides of the BCBG woman, both understated yet feminine at the same time.
Image: A look from Michael Kors’ fall 2013 runway show
In just a mere few weeks, designers will start previewing their Spring 2014 collections on the runway. First up, is New York Fashion Week which begins on September 5th, 2013. Check out the show dates below for reference. Please note this is a preliminary schedule.
9AM NICHOLAS K at STUDIO
10AM BCBGMAXAZRIA at THEATRE
11AMR ICHARD CHAI at STAGE
1PM SUPIMA at STUDIO
2PM TADASHI SHOJI at STAGE
2:30-3:30PMC ANDELA at BOX
3PM DESIGUAL at THEATRE
5PM MARISSA WEBB at STUDIO
Effortless Luxury – BCBG Max Azria played a game of contrast for its spring 2013 collection, focusing on the juxtaposition of hard and soft elements. Leather harnesses, skirts and cuffs matched with sheer and lace bring a modern edge to designers Max and Lubov Azria’s fluid silhouettes. Prints are art-deco inspired, sometimes even graphic in the form of black and white motifs. The mostly neutral color palette fuses effortless style with strict structure for the upcoming spring.
Ladylike Edge – Taking the slot as the final major show of New York Fashion Week, Calvin Klein’s Francisco Costa presented a mix of ladylike silhouettes with a modern edge for the label’s fall 2012 collection. Known for its minimal appeal, the new season focused on dramatic, hourglass shapes in hues of coral, black, wheat and ash grey. Lush materials of mohair, tweed, leather, wool and shearling were matched with metallic belts cinched at the waist. Beauty also coincided with the severe clothing as models took to the runway in slicked back hair and understated makeup.
Ralph Lauren’s Dapper and Divine Fall – On the final day of New York Fashion Week, Ralph Lauren presented a fall 2012 collection of refined glamour inspired by English aristocrats in autumn hues of navy, black, grey, plum and gold accents. The first section focused on menswear inspired pantsuits with dapper tailoring and newspaper boy hats softened by feminine curves and eclectic patterns. As the show progressed, the garments became more feminine featuring slinky gowns in long and fluid shapes of satin and velvet. A bit of glitz appeared in the form of sparkling sequins and ostrich feathers, culminating in a stunning finale gown of gold lamé worn by model Olga Sherer.
Proenza Schouler’s Cool Woman – After spring’s secretarial inspired fashion, Proenza Schouler designers Lazaro Hernandez and Jack McCollough focused on modern, Japanese inspired silhouettes for fall 2012. Models hit the runway in androgynous shapes with asymmetrical necklines and skin-baring hemlines. A color palette of pure white graduated into electric blue, burgundy and crimson red hues matched with Eastern patterns. A story of contrast, Proenza’s protagonist was elegant yet sporty, modern yet classic, youthful yet mature for the new season.
Sui’s Delightful Fall – Anna Sui continued to reign as one of New York Fashion Week’s most whimsical designers with her fall 2012 collection featuring playful prints, youthful shapes and owl caps. Overlooking the more quirky elements, however, the showing also delivered solid fashion featuring divine color and fabric combinations ranging from fuchsia silks to olive-green velvets. Light layers with a hint of 60′s flavor dominated the runway with large kaftans, tweed skirts and faux fur coats.
Mendel’s Glam Fall – For fall 2012, J. Mendel offered slinky gowns, lush fur coats and tweed dresses for the new season. Grounded in ash, black, ivory, champagne and amethyst hues–autumn had a romantic levity despite the dark color palette. Designer Giles Mendel also offered shorter hemlines with flirty, above the knee skirts matched with furry vests. For the finale, model Kati Nescher closed the show in a completely sheer number adorned with patchwork-like patterns.
Philosophy’s Demure Fall – Philosophy di Alberta Ferretti took on classic staples for fall 2012 with a hint of 60′s flair thrown in as well. A light color palette ranging from champagne to silvery grey to ivory set the tone for the new season which focused on demure, ladylike elegance. An offshoot line from Alberta Ferretti, the collection offered crystal embellished tops, form-fitting dresses and a modified trench belted at the waist. Star of the mainline label’s spring 2012 campaign, Daria Strokous, closed the show in a full coat paired with a delicately sheer dress.
Kors’ Casual Luxury – For fall 2012, Michael Kors offered up a relaxed sense of luxury with a strong opening of tartan, plaid and tweed. This season, Kors focused on layering with heavy blanket coats and fluid dresses for a contrasting effect. The color palette was simple–steeped in rich hues of crimson, inky black, chocolate and camel. As the show progressed, the clothing became more sophisticated and tailored with cinched waists and fur-embellished coats. For the finale, Kors ended on a sensual note with sparkling and slinky gowns reminiscent of an era gone by.