Black on Black – Gareth Pugh delivered his signature gothic style for his namesake label’s fall 2012 collection presented during Paris Fashion Week. Pugh ditched last season’s bondage inspired shapes for more tribal designs complete with fringe dresses, leather outerwear and fur embellishments. High necklines, some of which that even cover the face, were matched with thin headbands, clunky boots and winged shoulders in all black and grey for the new season. Whether donning zipped up capes or shaggy coats, the Pugh woman knows how to bundle up for the upcoming winter.
Bottega Veneta’s Somber Elegance – For fall 2012, Bottega Veneta creative director Tomas Maier presented a collection of dark elegance during the fourth day of Milan Fashion Week. Opening with an army of somber black ensembles, the Bottega woman looks towards minimal yet form-fitting silhouettes for the new season. As the show continued, however, Maier introduced some color in the form of soft lavender, dark plum and abstract prints in shades of citrus orange. Many looks were matched with black gloves that ran far past the elbow. The display of understated elegance culminated in a finale gown of lush velvet, worn by spring campaign star Karmen Pedaru.
Taking the Cake – Frida Gustavsson stars in Daniel Sannwald’s (Management Artists) pastel-filled vision for the spring-summer issue of POP. Looking like the top of a wedding cake, Frida is a delicious sight in spring pieces from the likes of Christopher Kane, Viktor & Rolf and Valentino selected by fashion editor Tamara Rothstein. A lush set designed by Gary Card and flirty curls by Tina Outen complete the fantastical story. / Makeup by Inge Grognard
See more of Daniel Sannwald’s work on Management Artists
Giles’ Imperfect Glamour – For fall 2012, designer Giles Deacon showcased glamorous looks with an imperfect edge for his namesake collection presented during London Fashion Week. The runway was dominated by menswear inspire looks such a modified tuxedo and frilly dresses embellished with feathers and burn-like patterns. As the show progressed, the tuxedo jackets gave way to form-fitting dresses featuring messy cut-outs almost as if a razor had been used on the fabric. Giles’ innovative take on classic shapes such as the hoop skirt or fish tail dress offered a thrilling view of the upcoming season.
Ralph Lauren’s Dapper and Divine Fall – On the final day of New York Fashion Week, Ralph Lauren presented a fall 2012 collection of refined glamour inspired by English aristocrats in autumn hues of navy, black, grey, plum and gold accents. The first section focused on menswear inspired pantsuits with dapper tailoring and newspaper boy hats softened by feminine curves and eclectic patterns. As the show progressed, the garments became more feminine featuring slinky gowns in long and fluid shapes of satin and velvet. A bit of glitz appeared in the form of sparkling sequins and ostrich feathers, culminating in a stunning finale gown of gold lamé worn by model Olga Sherer.
Sui’s Delightful Fall – Anna Sui continued to reign as one of New York Fashion Week’s most whimsical designers with her fall 2012 collection featuring playful prints, youthful shapes and owl caps. Overlooking the more quirky elements, however, the showing also delivered solid fashion featuring divine color and fabric combinations ranging from fuchsia silks to olive-green velvets. Light layers with a hint of 60′s flavor dominated the runway with large kaftans, tweed skirts and faux fur coats.
Kors’ Casual Luxury – For fall 2012, Michael Kors offered up a relaxed sense of luxury with a strong opening of tartan, plaid and tweed. This season, Kors focused on layering with heavy blanket coats and fluid dresses for a contrasting effect. The color palette was simple–steeped in rich hues of crimson, inky black, chocolate and camel. As the show progressed, the clothing became more sophisticated and tailored with cinched waists and fur-embellished coats. For the finale, Kors ended on a sensual note with sparkling and slinky gowns reminiscent of an era gone by.
Rodarte’s Retro Inspired Fall – Rodarte sisters Laura and Kate Mullavey brought a more mature, refined touch to their dreamy designs with the label’s fall 2012 show presented earlier today during New York Fashion Week. Taking a cue from 40s inspired silhouettes, the duo chose a subdued palette of nude, marmalade and burgundy for the new season. Leather and shearling brought a hard edge to the romantic designs in the form of aviator style jackets. Gowns were adorned in Swavorski crystals, referencing a more feminine touch.
The Mad Hatter – For fall 2012, Marc Jacobs teamed up with milliner Stephen Jones to help envision his latest collection filled with oversize and floppy hats that could easily belong to Alice in Wonderland’s Mad Hatter. Playing with the fairytale theme, Jacobs offered a fantastical play on proportions in the form of bulky skirts and jackets layered expertly for the autumn season. The color palette was steeped in moody hues with accents of gold, powder pink and lilac. Patterns ranged from paisley to floral which broke up the heavy silhouettes with levity. The show ended on a more subdued note, featuring a few pared down ensembles that lengthened in hemlines and flattened in shape.
Donna Karan’s Strong Suiting – Last season it was the country of Haiti that inspired Donna Karan’s namesake line, and for fall 2012 it is the confidence and allure of woman–even in the menswear dominated field of suiting–which influenced the American designer’s latest collection. A color palette of grey, red and black was offered on the runway with models donning pinstripes, mohair and jersey in sharply tailored shapes. Outerwear also had a masculine influence made of boxy silhouettes and strong shoulders. Saving a sense of ultra-femininity until the end, Karan closed the show with drapey silhouettes that showcased bare arms and legs in slinky fabric.