Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh

January 22, 2010

Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh

When Vogue Paris takes their first look at the spring collections, we should know that they would do it in their own unique style. The publication’s February issue features a massive spread shot by Inez van Lamsweerde and Vinoodh Matadin with art direction from Carine Roitfeld, Emmanuelle Alt and Camilla Nickerson. Entitled,”Vogue-á-Porter “, the layout stars models Bridget Hall, Dree Hemingway, Freja Beha Erichsen, Raquel Zimmermann, Anna de Rijk, Lara Stone, Isabeli Fontana, Tanga Moreau, Naomi Campbell, Talisa Soto and Daria Werbowy in full traveling mode for a Moroccan getaway.

Note – multiple pages of images

Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh
Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh

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82 thoughts on “Vogue Paris February 2010 | Vogue-à-Porter by Inez & Vinoodh”

  1. I have to say I don't really understand the studio shots put in sequence with the on location shots. Maybe they make two separate really good spreads, but they're disorienting together. Other than that though, love it.

    Reply
  2. I have to say I don't really understand the studio shots put in sequence with the on location shots. Maybe they make two separate really good spreads, but they're disorienting together. Other than that though, love it.

    Reply
  3. I have to say I don't really understand the studio shots put in sequence with the on location shots. Maybe they make two separate really good spreads, but they're disorienting together. Other than that though, love it.

    Reply
  4. I have to say I don't really understand the studio shots put in sequence with the on location shots. Maybe they make two separate really good spreads, but they're disorienting together. Other than that though, love it.

    Reply
  5. I have to say I don't really understand the studio shots put in sequence with the on location shots. Maybe they make two separate really good spreads, but they're disorienting together. Other than that though, love it.

    Reply
  6. Wunderbar!!!
    Daria and Freja came to life this time,but Lara seemed confused.Especially when she's wearing Alexander Mcqueen's freak shoes

    Reply
  7. Wunderbar!!!
    Daria and Freja came to life this time,but Lara seemed confused.Especially when she's wearing Alexander Mcqueen's freak shoes

    Reply
  8. Wunderbar!!!
    Daria and Freja came to life this time,but Lara seemed confused.Especially when she's wearing Alexander Mcqueen's freak shoes

    Reply
  9. This makes me so uncomfortable. A middle-eastern-looking man in an outfit that looks like what the Abu Ghraib prisoners wore in the photos?? With half-naked young women? I don't know.

    Reply
  10. This makes me so uncomfortable. A middle-eastern-looking man in an outfit that looks like what the Abu Ghraib prisoners wore in the photos?? With half-naked young women? I don't know.

    Reply
  11. This makes me so uncomfortable. A middle-eastern-looking man in an outfit that looks like what the Abu Ghraib prisoners wore in the photos?? With half-naked young women? I don't know.

    Reply
  12. This makes me so uncomfortable. A middle-eastern-looking man in an outfit that looks like what the Abu Ghraib prisoners wore in the photos?? With half-naked young women? I don't know.

    Reply
  13. This makes me so uncomfortable. A middle-eastern-looking man in an outfit that looks like what the Abu Ghraib prisoners wore in the photos?? With half-naked young women? I don't know.

    Reply

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