Raquel Zimmermann for Vogue US August 2010 by Inez & Vinoodh

Joanna Elizabeth

/

Published July 19, 2010

Today has been the day of the Zimmermann–Raquel Zimmermann that is. From appearances in Gucci campaigns, and now Vogue US August, Raquel continues to be one of our favorite Brazilian stunners. Lensed by Inez van Lamsweerde and Vinoodh Matadin, Raquel wanders the streets of New York with an equine companion in tow. Wearing pieces from Chloe, Yves Saint Laurent and Marc Jacobs, Raquel shines in the elegant stylings of Marie-Amelie Sauvé with The Cape Crusader.







Recent Updates

Zara Jeans Spring Featured

Zara Jeans Spring 2024: Exploring Casual Styles

The season of renewal brings with it Zara's spring 2024 jeans collection, offering a refreshing take on denim that pays ...
Makeup Looks Featured

Makeup Looks to Inspire: 15 Stunning Ideas for 2024

Makeup looks offer a canvas for self-expression, blending everything from the subtle allure of neutral tones to the vibrant impact ...
Penelope Cruz Chanel Iconic Handbag Featured

Penélope Cruz & Brad Pitt Are Iconic in Chanel Handbag Ad

Chanel's 2024 campaign for its Iconic Handbag enlists the magnetic allure of Penélope Cruz alongside Brad Pitt, offering a theme ...
Cara Delevingne Stella McCartney Feature

Cara Delevingne is Eco-Chic in Stella McCartney’s Summer Ad

In a striking gesture of environmental advocacy, Stella McCartney has enlisted supermodel and actress Cara Delevingne for her summer 2024 ...
Tom Ford Summer 2024 Featured

Tom Ford Summer 2024 Campaign: A Season of Luxe

Tom Ford has officially launched its summer 2024 collection with a compelling campaign that channels luxury and sensuality. With creative ...
Black Hair Types Featured

Black Hair Types: Unraveling the Beauty of Coils & Curls

Understanding the diversity of Black hair types is fundamental for those seeking to nurture and style their hair effectively. Whether ...

65 thoughts on “Raquel Zimmermann for Vogue US August 2010 by Inez & Vinoodh”

  1. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  2. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  3. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  4. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  5. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  6. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  7. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply
  8. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply
  9. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply

Leave a Reply to michael Cancel reply