Opening Ceremony x Levi’s Spring 2011: Anais Pouliot by Terry Richardson

Joanna Elizabeth

/

Published February 2, 2011

Following the release of their spring lineup, Opening Ceremony looks to Terry Richardson once more, this time around to photograph the retailer’s latest collaboration with Levi’s. Styled by Mel Ottenberg, Anais Pouliot and PJ keep things nonchalant in a wardrobe of denim blues with a contemporary fit. (x-posted to The Fashionisto)







Recent Updates

Kate Upton Anne Klein Featured

Kate Upton Lights Up Anne Klein Spring 2024 Ad

Kate Upton captures the essence of contemporary femininity in Anne Klein's spring-summer 2024 campaign, delivering an array of looks that ...
Summer Nail Designs Featured

Summer Nail Designs: Ideas to Obsess Over in 2024

Warm weather is perfect for experimenting with bold, vibrant, and whimsical summer nail designs. From psychedelic swirls on stiletto shapes ...
Denim Story Feature

Exclusive: Alina & Jette by Carmelo Donato in ‘Denim Remixed’

In a striking fashion feature captured by Carmelo Donato, FGR's latest exclusive focuses on denim, with models Alina Enders and ...
Logan Hollowell Silk Collection

Logan Hollowell’s Silk Collection Delivers Goddess Glam

Logan Hollowell, known for its fine jewelry, ventures into ready-to-wear with the debut of its Silk Collection. The 100% silk ...
Ana de Armas Estee Lauder

Ana de Armas is a Vision in Estée Lauder Lipstick Ad

Ana de Armas captivates in Estée Lauder's latest advertisement, embracing the opulent glow of the new Re-Nutriv Diamond Serum Lipcolor ...
Spell Bohemian Royale

Spell’s Bohemian Royale Print Gets an Eco-Chic Makeover

Spell's latest Renew collection marks a decade of the beloved Bohemian Royale print, demonstrating the brand's commitment to sustainable fashion ...

18 thoughts on “Opening Ceremony x Levi’s Spring 2011: Anais Pouliot by Terry Richardson”

  1. I like it. Many hate on Terry for the sexual aspect of his photos, but SOMETIMES (key word here, before I get ripped apart) it works. There is something perverse about the way he portrays innosence. I love the simple styling. Its very 70’s but not too obvious.

    Reply

Leave a Reply to Billford Cancel reply