Dior’s Classic Fall – Bill Gaytten looked towards the archives for inspiration with his second mainline collection for Dior’s fall 2012 presentation. With still no official word on a permanent creative director, the new season showcased demure forties and fifties inspired silhouettes in a muted color palette of taupe, black and burgundy. Despite the lack of Galliano opulence, Gaytten offered a lovely refinement for the autumn season with ballerina inspired shapes. Cinched jackets, pleated skirts and jewelry style embellishments dominate the Dior woman’s wardrobe for autumn.
Mugler’s Insect Fall – For fall 2012, Mugler creative director Nicola Formichetti looked towards the archives for inspiration with Thierry Mugler’s 1997 “Insect” collection. The new season plays with arthropod shapes, featuring winged shoulders, furry sleeves, high slits and insect-like cut outs. A color palette of mostly black and white lets the shapes of autumn stand out. For the final section of the show, Formichetti sent out a parade of all black with lightweight hoods and sheer sleeves.
Dries’ Eastern Fall – For fall 2012, Dries Van Noten embraced an Asian inspired outing with lush coats, tailored suiting and patterned jackets influenced by designs in London’s Victoria and Albert Museum. The Van Noten woman takes her trip to the East with streamlined silhouettes and dragon or floral prints matched with fur adorned parkas. The Belgian designer’s distinct menswear influence loosened at times, providing delicate dresses and skirts in kaleidoscopic hues of citrus orange, turquoise, jade and ivory. Despite using a well-established theme, Van Noten brought something fresh and distinctly modern to the upcoming autumn.
Giorgio Armani’s Sparkling Fall – For fall 2012, Giorgio Armani presented a collection showcasing his signature suiting with a youthful, slightly rock and roll inspired edge. Opening with tailored suits in grey and fedora style hats, the Armani woman walked the line between masculine and feminine for autumn. As the show progressed, vibrant orange and pink hues were introduced with fur coats, sparkling dresses and Bermuda shorts layered over black tights. The glam designs were accented by fingerless gloves and chunky jewelery as models walked the catwalk dripping in glittering necklaces, earrings and bracelets.
Missoni’s Slinky Fall – After last season’s explosion of colors, the fall 2012 collection from Missoni muted the color palette and focused on form-fitting shapes for the new season. Designer Angela Missoni created cozy yet seductive knitwear in dreamy tones of sage green, camel, ash grey and burgundy. Accessories included thin belts above the waist, fur hats, latex gloves and boots with chunky heels. Of course, Missoni’s signature prints were also put on full display with a mix and match of luxe winter layers.
Sportmax’s Structured Fall – Max Mara’s offshoot line, Sportmax, presented its fall 2012 show earlier today on the fourth day of Milan Fashion Week. As always, Sportmax had a youthful appeal with high hemlines, experimental shapes and lightweight outerwear. The color palette showcased a balance between electric blue, fuchsia, off white and inky black. Autumn had an Eastern influence with origami-like folds and kimono ties appearing on lush fur-trimmed coats and dresses. Models wore wedged boots and Milan’s go-to accessory of black gloves to complement the streamlined, almost androgynous showing.
Bottega Veneta’s Somber Elegance – For fall 2012, Bottega Veneta creative director Tomas Maier presented a collection of dark elegance during the fourth day of Milan Fashion Week. Opening with an army of somber black ensembles, the Bottega woman looks towards minimal yet form-fitting silhouettes for the new season. As the show continued, however, Maier introduced some color in the form of soft lavender, dark plum and abstract prints in shades of citrus orange. Many looks were matched with black gloves that ran far past the elbow. The display of understated elegance culminated in a finale gown of lush velvet, worn by spring campaign star Karmen Pedaru.
Versace’s Tough Glamour – Donatella Versace opted for a dark color palette with rock and roll undertones for Versace’s fall 2012 show presented during Milan Fashion Week. Sexy silhouettes, metal mesh and jewel encrusted Byzantine crosses dominated the runway as models donned short hemlines and fitted jackets for autumn. Embracing a dark edge, Versace matched form-fitting designs with leather gloves and severe hair. Adding to the glamazon looks were heeled boots made of more mesh that ended at the knee. The Versace logo was even incorporated on a few pieces in the form of bold, graphic lettering. For the finale, a gown of pure silver chains and metallic fabric hit the catwalk for an armored yet luxe end statement.
Etro’s Ladylike Seduction – Etro’s explosive prints took a demure turn for the label’s fall 2012 show presented on the third day of Milan Fashion Week. Designer Veronica Etro steeped the autumn season in a dreamy palette of marmalade, ash grey, powder blue, burgundy, navy and inky black. Slinky, body hugging silhouettes dominated the runway as models wore sheer materials paired with abstract patterns. Hints of fur, flirty ruffles and leather brought a luxe vibe to the autumn silhouettes. For beauty, models wore slicked back hair and plum or nude lips.
Moschino’s Cheeky Fall – Known for collections with kitschy themes, Moschino presented a collection of military inspired jackets for its fall 2012 presented shown during the third day of Milan Fashion Week. Using a joyous color palette of scarlet red, canary yellow, electric blue and flirty pink; creative director Rossella Jardini played with proportions and color for the new season. Models hit the runway in stetson hats, checkered patterns and bold gold accents. The cheeky showing culminated in ruffle-adorned, princess pink dress worn by model Cara Delevingne.