Karlie Kloss

christiandiorspring Christian Dior Spring 2011 | Paris Fashion Week

Docking the ship for spring 2011, the latest collection from Christian Dior mixes sailor fun with 50s pin-ups in a bright and colorful show. Opening with fall’s campaign star, Karlie Kloss, the collection paired nautical prints and flirty silhouettes for a more youthful line than previous seasons. Closing with an array of sheer and billowing gowns, John Galliano brought a sense of island leisure to Paris Fashion Week.

blumarinespring Blumarine Spring 2011 | Milan Fashion Week

Never a label to shy away from leopard prints or color, the spring 2011 outing from Blumarine includes all the femininity and glam usually expected form the Italian label and more. Setting the tone for the new season, the show opened with Karlie Kloss wearing a leopard number paired with a fringe bag. As the catwalk progressed, tighter and shorter silhouettes made an appearance along with flower adorned shoes for a true seventies inspired collection.

world We Are the World by Steven Meisel for <em>Vogue US</em> September 2010

Set to be a jam-packed issue, here is our first look at Vogue US September with an editorial shot by the one and only Steven Meisel. Gathering up a group of eclectic all-star models, the six page spread hones in on the nomadic aspects of the fall collections. Styled by Edward Enninful in ornate patterns, luxurious fur and loud accessories, models Liu Wen, Karlie Kloss, Joan Smalls, Magdalena Frackowiak, Kasia Struss and Jourdan Dunn come together for We Are the World.

classicrevival Karlie Kloss by Raymond Meier for <em>Vogue US</em> August 2010

The seventies serve as inspiration for the fall collections from some of fashion’s biggest houses. With its August issue, Vogue US takes a look at the retro trend with Raymond Meier’s Classic Revival. Featuring a blonde Karlie Kloss in Fendi, Chanel and more, the story takes place in the streets of New York as Karlie mingles with passerby in outfits assembled by fashion editor Elissa Santisi.

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