Ferretti’s Seductive Glamour – Alberta Ferretti’s fall 2012 collection followed in the vein of spring with seductive silhouettes featuring peekaboo cut-outs. Ferretti offered some new elements though, showcasing tailored suiting and outerwear with a masculine overtone which contrasted with her signature gowns. A color palette steeped in black, deep purple, royal blue and crimson red dominated the new season. A touch of glittering sequins and woven leather brought a new twist to classic silhouettes. The show closed with an ethereal white gown worn by model Marte Mei Van Haaster which stuck a balance between soft and hard elements perfectly.
Gucci’s Gothic Fall – For fall 2012, Gucci creative director Frida Giannini presented a darkly decadent collection of billowing gowns, relaxed suiting and lush coats for the first day of Milan Fashion Week. Slinky and sensuous silhouettes dominated the runway in moody hues of inky black, dark emerald, plum, burgundy and sapphire blue. Chiffon gowns brought a romantic touch to the dark palette. Luxurious materials of feathers, crushed velvet and leather also made an appearance. For the finale, Giannini sent out sheer dresses embellished with sparkling leaf shapes–a testament to the strong yet feminine spirit of autumn.
Ralph Lauren’s Dapper and Divine Fall – On the final day of New York Fashion Week, Ralph Lauren presented a fall 2012 collection of refined glamour inspired by English aristocrats in autumn hues of navy, black, grey, plum and gold accents. The first section focused on menswear inspired pantsuits with dapper tailoring and newspaper boy hats softened by feminine curves and eclectic patterns. As the show progressed, the garments became more feminine featuring slinky gowns in long and fluid shapes of satin and velvet. A bit of glitz appeared in the form of sparkling sequins and ostrich feathers, culminating in a stunning finale gown of gold lamé worn by model Olga Sherer.
Proenza Schouler’s Cool Woman – After spring’s secretarial inspired fashion, Proenza Schouler designers Lazaro Hernandez and Jack McCollough focused on modern, Japanese inspired silhouettes for fall 2012. Models hit the runway in androgynous shapes with asymmetrical necklines and skin-baring hemlines. A color palette of pure white graduated into electric blue, burgundy and crimson red hues matched with Eastern patterns. A story of contrast, Proenza’s protagonist was elegant yet sporty, modern yet classic, youthful yet mature for the new season.
Sui’s Delightful Fall – Anna Sui continued to reign as one of New York Fashion Week’s most whimsical designers with her fall 2012 collection featuring playful prints, youthful shapes and owl caps. Overlooking the more quirky elements, however, the showing also delivered solid fashion featuring divine color and fabric combinations ranging from fuchsia silks to olive-green velvets. Light layers with a hint of 60′s flavor dominated the runway with large kaftans, tweed skirts and faux fur coats.
Jewels for Autumn – Despite the autumn-winter season, Oscar de la Renta chose a jovial color palette of sky blue, powder pink and neutrals for his fall 2012 collection presented yesterday. Alongside the usual elegance from de la Renta, the showing was dominated by light layering, ladylike hemlines just above the knee and jewel prints made of actual photographs. Models also had jewels decorating their hair with crystal-encrusted headbands. Luxurious fabrics of silk, fur, lace, chiffon and cashmere brought a playful ambiance to the new season.
Slip into Fall – For fall 2012, Vera Wang embraced slinky silhouettes in autumn hues of wheat, marmalade, blue and ink black. The new season offered lightweight layers with a sensual, skin baring appeal in the form of sheer fabrics. As for outerwear, the coats presented were fur-embellished with geometric prints for an androgynous contrast. For the finale, Wang matched crystal-adorned bodices with airy fabric for an almost bohemian effect.
The Mad Hatter – For fall 2012, Marc Jacobs teamed up with milliner Stephen Jones to help envision his latest collection filled with oversize and floppy hats that could easily belong to Alice in Wonderland’s Mad Hatter. Playing with the fairytale theme, Jacobs offered a fantastical play on proportions in the form of bulky skirts and jackets layered expertly for the autumn season. The color palette was steeped in moody hues with accents of gold, powder pink and lilac. Patterns ranged from paisley to floral which broke up the heavy silhouettes with levity. The show ended on a more subdued note, featuring a few pared down ensembles that lengthened in hemlines and flattened in shape.
Donna Karan’s Strong Suiting – Last season it was the country of Haiti that inspired Donna Karan’s namesake line, and for fall 2012 it is the confidence and allure of woman–even in the menswear dominated field of suiting–which influenced the American designer’s latest collection. A color palette of grey, red and black was offered on the runway with models donning pinstripes, mohair and jersey in sharply tailored shapes. Outerwear also had a masculine influence made of boxy silhouettes and strong shoulders. Saving a sense of ultra-femininity until the end, Karan closed the show with drapey silhouettes that showcased bare arms and legs in slinky fabric.
The Layered Lady – For fall 2012, Carolina Herrera embraced a story of layering complete with a cool palette of navy, robin egg blue, ash, eggplant and black. The new season introduced lengthened silhouettes, cozy cowls and abstract prints. Touches of fur, tweed and sequins brought a certain amount of lavishness to the sensible silhouettes. For the finale look, Herrera delivered drama in the form of a coral ball gown worn by model Aymeline Valade.