Balmain’s Bejeweled Fall – Marking his second season as creative director of Balmain, French designer Olivier Rousteing look towards Fabergé eggs gave to Elizabeth Taylor as inspiration for the label’s fall 2012 collection. Balmain’s signature military inspired jackets took an elegant turn in the form of pearl and gem adorned skin-tight dresses, outerwear and velvet pants. Strong shoulders brought an androgynous edge to the ultra-sexy silhouettes in neutral hues of black, nude and mint green. Despite the classic reference, Rousteing still kept Balmain’s modern edge for the upcoming autumn with razor sharp precision.
Dolce & Gabbana’s Baroque Woman – Dolce & Gabbana’s Italian glamour took a turn for bejeweled, Baroque inspired beauty with designers Domenico Dolce and Stefano Gabbana’s fall 2012 showing presented during Milan Fashion Week. Influenced by Sicilian art work, models took to the runway in brocade and cherub tapestry prints. Accessories for the show included bejeweled headbands, gold jewelry and pearl adorned handbags. Delicate lace work was also on display with ladylike dresses that reached the knee and black veils worn like the Madonna. Bringing some sex appeal to the demure showing, Dolce sent out lingerie inspired bustiers and hot pants for a cheeky take on the Baroque influence.
Couture Beauties – The March edition of Numéro taps top models Karlie Kloss, Saskia de Brauw, Aymeline Valade and Daria Strokous for three covers shot by Karl Lagerfeld. Wearing couture pieces, the quartet make glam visions in the striking images.
Pucci’s Pared Down Fall – Emilio Pucci’s bohemian chic took a turn for glamorous minimalism with its fall 2012 presentation shown during Milan Fashion Week. Creative director Peter Dundas opened with a strong showing of black dresses in slinky silhouettes. Luxe crocodile, crystal detailing and sheer cutouts brought some sex appeal to the minimal designs. As the show progressed, some color was introduced in the form of sky blue and nude tones. Menswear inspired looks such as modified tuxedo jackets and tailored pants also made an appearance. With the lack of prints and fringe, it appears that the Pucci woman might be growing up, but as Dundas’ designs suggest–it doesn’t mean a loss of sex appeal for the upcoming autumn.
Sportmax’s Structured Fall – Max Mara’s offshoot line, Sportmax, presented its fall 2012 show earlier today on the fourth day of Milan Fashion Week. As always, Sportmax had a youthful appeal with high hemlines, experimental shapes and lightweight outerwear. The color palette showcased a balance between electric blue, fuchsia, off white and inky black. Autumn had an Eastern influence with origami-like folds and kimono ties appearing on lush fur-trimmed coats and dresses. Models wore wedged boots and Milan’s go-to accessory of black gloves to complement the streamlined, almost androgynous showing.
Bottega Veneta’s Somber Elegance – For fall 2012, Bottega Veneta creative director Tomas Maier presented a collection of dark elegance during the fourth day of Milan Fashion Week. Opening with an army of somber black ensembles, the Bottega woman looks towards minimal yet form-fitting silhouettes for the new season. As the show continued, however, Maier introduced some color in the form of soft lavender, dark plum and abstract prints in shades of citrus orange. Many looks were matched with black gloves that ran far past the elbow. The display of understated elegance culminated in a finale gown of lush velvet, worn by spring campaign star Karmen Pedaru.
Versace’s Tough Glamour – Donatella Versace opted for a dark color palette with rock and roll undertones for Versace’s fall 2012 show presented during Milan Fashion Week. Sexy silhouettes, metal mesh and jewel encrusted Byzantine crosses dominated the runway as models donned short hemlines and fitted jackets for autumn. Embracing a dark edge, Versace matched form-fitting designs with leather gloves and severe hair. Adding to the glamazon looks were heeled boots made of more mesh that ended at the knee. The Versace logo was even incorporated on a few pieces in the form of bold, graphic lettering. For the finale, a gown of pure silver chains and metallic fabric hit the catwalk for an armored yet luxe end statement.
Etro’s Ladylike Seduction – Etro’s explosive prints took a demure turn for the label’s fall 2012 show presented on the third day of Milan Fashion Week. Designer Veronica Etro steeped the autumn season in a dreamy palette of marmalade, ash grey, powder blue, burgundy, navy and inky black. Slinky, body hugging silhouettes dominated the runway as models wore sheer materials paired with abstract patterns. Hints of fur, flirty ruffles and leather brought a luxe vibe to the autumn silhouettes. For beauty, models wore slicked back hair and plum or nude lips.
Moschino’s Cheeky Fall – Known for collections with kitschy themes, Moschino presented a collection of military inspired jackets for its fall 2012 presented shown during the third day of Milan Fashion Week. Using a joyous color palette of scarlet red, canary yellow, electric blue and flirty pink; creative director Rossella Jardini played with proportions and color for the new season. Models hit the runway in stetson hats, checkered patterns and bold gold accents. The cheeky showing culminated in ruffle-adorned, princess pink dress worn by model Cara Delevingne.
Fendi’s Furry Fall – For fall 2012, Fendi was in its element presenting a collection of extravagant fur outerwear and structural-based silhouettes on the second day of Milan Fashion Week. Designers Karl Lagerfeld and Silvia Venturini Fendi chose a color palette of tawny blonde, navy and ash grey to tell a story of winter glamour complete with leather dresses, pleated skirts and puffed-up shoulders. The season’s separates were divided by an oval belt, accentuating the waist and creating a classic feminine shape underneath voluminous coats. Beauty for the show including thick coils as pigtails and icy eye shadow for a look suited to a mountainous region.