Raquel Zimmermann for Vogue US August 2010 by Inez & Vinoodh

Joanna Elizabeth

/

Published July 19, 2010

Today has been the day of the Zimmermann–Raquel Zimmermann that is. From appearances in Gucci campaigns, and now Vogue US August, Raquel continues to be one of our favorite Brazilian stunners. Lensed by Inez van Lamsweerde and Vinoodh Matadin, Raquel wanders the streets of New York with an equine companion in tow. Wearing pieces from Chloe, Yves Saint Laurent and Marc Jacobs, Raquel shines in the elegant stylings of Marie-Amelie Sauvé with The Cape Crusader.







Recent Updates

Victorias Swim Summer 2024

Gigi Hadid Wows in Victoria’s Secret Swim 2024 Ad

Victoria's Secret has unveiled its highly anticipated swimsuit campaign for summer 2024, bringing back the vibrant styles of the '90s ...
Sofia Richie Stuart Weitzman 2024

Sofia Richie Brings Maternity Style to Stuart Weitzman Ad

Sofia Richie, in a fusion of personal milestones and fashion, debuts as the new brand ambassador of Stuart Weitzman. Gracing ...
Persol Eyewear 2024

Persol N1: Chiara Scelsi Wears Classic Eyewear Styles

Persol's latest N1 campaign presents an elegant vision of design and artisanship through a monochromatic lens. With Italian model Chiara ...
Beach Wedding Attire Featured

Beach Wedding Attire: Your Guide to the Perfect Guest Look

Selecting the right beach wedding attire is a challenging task that balances fashion with the unique charm of a seaside ...
LV Flight Mode

Louis Vuitton Flight Mode Summer 2024: Travel in Luxury

Louis Vuitton goes on a journey of fashion-forward travel by unveiling its Flight Mode collection for summer 2024. Celebrating the ...
kirsten Dunst Featured

Civil War Star Kirsten Dunst Takes the Spotlight for Flaunt

Kirsten Dunst graces the cover of Flaunt Magazine's Issue 191 with an unmistakable aura of confidence. Photographed by David Roemer ...

65 thoughts on “Raquel Zimmermann for Vogue US August 2010 by Inez & Vinoodh”

  1. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  2. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  3. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  4. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  5. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  6. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  7. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply
  8. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply
  9. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply

Leave a Reply to kate Cancel reply