Raquel Zimmermann for Vogue US August 2010 by Inez & Vinoodh

Joanna Elizabeth

/

Published July 19, 2010

Today has been the day of the Zimmermann–Raquel Zimmermann that is. From appearances in Gucci campaigns, and now Vogue US August, Raquel continues to be one of our favorite Brazilian stunners. Lensed by Inez van Lamsweerde and Vinoodh Matadin, Raquel wanders the streets of New York with an equine companion in tow. Wearing pieces from Chloe, Yves Saint Laurent and Marc Jacobs, Raquel shines in the elegant stylings of Marie-Amelie Sauvé with The Cape Crusader.







Recent Updates

Camila Morrone Calvin Klein Denim Featured

Camila Morrone Charms in Calvin Klein’s Spring Denim Styles

Camila Morrone graces Calvin Klein's spring 2024 denim collection, exuding a blend of contemporary style and casual comfort. Photographed by ...
Toteme Spring 2024 Featured

Toteme Spring 2024 Campaign: Minimalist Chic

The Toteme spring-summer 2024 campaign, captured by the renowned Steven Meisel, ushers in a season of minimalism and refined aesthetics ...
Ombre Nails Featured

Ombre Nails: 25+ Stunning Designs to Nail Your 2024 Look

If you're looking for a versatile and trendy nail art style, look no further than ombre nails. This popular technique ...
Irina Shayk Missoni Spring 2024 Featured

Irina Shayk Strikes a Pose in Missoni Spring 2024 Ad

The Missoni spring-summer 2024 campaign places Irina Shayk at the forefront, channeling the season's vibrant spirit and innovative designs. Photographed ...
Riley Keough Chanel Spring 2024 Featured

Riley Keough Shines for Chanel Spring 2024 Ad

Chanel has unveiled its spring-summer 2024 collection through eye-catching advertisements in the serene Villa Noailles in the South of France ...
Burberry Summer 2024 Featured

Burberry Summer 2024 Campaign: Island Luxury

Burberry's summer 2024 campaign is a vibrant mix of British luxury and the relaxed atmosphere of Jamaica, channeled through an ...

65 thoughts on “Raquel Zimmermann for Vogue US August 2010 by Inez & Vinoodh”

  1. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  2. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  3. Sorry to be one of ‘those’ people, but I’m not loving all the fur in this… if Chanel can go faux, surely the other houses can follow their lead ..

    Reply
  4. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  5. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  6. This is boring because, once again, we find a subject in an editorial that may actually be a human being whose living and breathing somewhere. It throws the viewer off because we've come to appreciate the fact that most of the work being shot these days employs mannequins. Very lifelike mannequins. But mannequins nonetheless. There's also life happening behind her and around her, which is distracting. It would be much better to shoot this against a white backdrop, where she can pose freely and make faces that one would decipher as early onset of insanity and suggest a shrink to boot. Too many no-nos: Model looking human; model interacting with another living thing; model surrounded by other living beings (passerby).

    Reply
  7. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply
  8. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply
  9. I love the Chloé look too but I'm extremely bored of the Raquel in Chloé look and editorials of this persuasion..it's all starting to blur together to be honest.

    Reply

Leave a Comment