Eniko Mihalik by Giampaolo Sgura for Vogue Paris June/July 2011

Joanna Elizabeth

/

Published May 26, 2011

/

Updated March 31, 2019

The Bronze AgeEniko Mihalik gets bronzed for the summer in Vogue Paris’ latest beauty shoot lensed by Giampaolo Sgura. Looking every part the bombshell in sexy swimsuits and water accessories styled by Veronique Didry, Eniko looks ready for the beach from head to toe.





Recent Updates

Swarovski Spring 2024 Featured

Irina Shayk, Karlie Kloss Bring Mermaidcore to Swarovski Ad

Swarovski takes a deep dive into the mythical with its spring-summer 2024 campaign, channeling the allure of Venus and embracing ...
Oliver Peoples Khaite Spring 2024 Featured

Oliver Peoples x KHAITE Spring 2024: Crafting Chic Eyewear

The Oliver Peoples x KHAITE Spring 2024 collection promises an eyewear feast for the fashion-forward. Exemplifying an industrial chic aesthetic, ...
Nina Cosmic Featured

Nina T Gets Interstellar for Numéro Switzerland

In "Cosmic Being," photographed by Ana Abril, a futuristic fashion editorial takes place in Numéro Switzerland's premiere issue. Model Nina ...
Zara Jeans Spring Featured

Zara Jeans Spring 2024: Exploring Casual Styles

The season of renewal brings with it Zara's spring 2024 jeans collection, offering a refreshing take on denim that pays ...
Makeup Looks Featured

Makeup Looks to Inspire: 15 Stunning Ideas for 2024

Makeup looks offer a canvas for self-expression, blending everything from the subtle allure of neutral tones to the vibrant impact ...
Penelope Cruz Chanel Iconic Handbag Featured

Penélope Cruz & Brad Pitt Are Iconic in Chanel Handbag Ad

Chanel's 2024 campaign for its Iconic Handbag enlists the magnetic allure of Penélope Cruz alongside Brad Pitt, offering a theme ...

30 thoughts on “Eniko Mihalik by Giampaolo Sgura for Vogue Paris June/July 2011”

  1. I think the ‘retouching’ in this shoot is a very particular style – to me it looks like it’s designed to resemble classic painted pin-ups of the war era and just afterwards. The colours too, it also has the look of three-strip technicolour of the period too – if you look at a movie like ‘To Catch A Thief’ with Grace Kelly on the beach or even ‘Gone With The Wind’ you notice that the skin tones look artificial, paint-like and rather brilliant. 

    I don’t think the retouching is bad – it’s just ‘fake’. And that is fine, it’s a style.

    Reply
  2. I think the ‘retouching’ in this shoot is a very particular style – to me it looks like it’s designed to resemble classic painted pin-ups of the war era and just afterwards. The colours too, it also has the look of three-strip technicolour of the period too – if you look at a movie like ‘To Catch A Thief’ with Grace Kelly on the beach or even ‘Gone With The Wind’ you notice that the skin tones look artificial, paint-like and rather brilliant. 

    I don’t think the retouching is bad – it’s just ‘fake’. And that is fine, it’s a style.

    Reply

Leave a Reply to Mila Cancel reply