Amanda Seyfried for Elle US April 2011 by Alexei Hay

Amanda Seyfried appears alongside farm animals for the April cover shoot from Elle US. Lensed by Alexei Hay, the American actress dons some of the most romantic dresses of the season from labels such as Valentino, Dolce & Gabbana and Fendi styled by creative director Joe Zee.

Elle: Amanda in Wonderland







19 Responses to “Amanda Seyfried for Elle US April 2011 by Alexei Hay”

  1. Anonymous Reply

    visions of gemma ward – and that’s a good thing! She looks great

  2. Anonymous Reply

    visions of gemma ward – and that’s a good thing! She looks great

  3. Anonymous Reply

    This is so lovely! Like the animals and her, she’s beautiful!

  4. Dead Fish Reply

    Great. Even MORE Amanda. As if this place has a fetish for her. Speaking of which she looks absolutely ridiculous in those shoes as if she is being photographed by a pedophile photographer. Bad taste, bad idea, horrible editorial.

  5. Dead Fish Reply

    Great. Even MORE Amanda. As if this place has a fetish for her. Speaking of which she looks absolutely ridiculous in those shoes as if she is being photographed by a pedophile photographer. Bad taste, bad idea, horrible editorial.

  6. i was going to complain about having to see her on like EVERY magazine, but this editorial is SO beautiful and she looks amazing that i can’t. this is lovely. how’s that for lemons to lemonade…..

  7. Those Giuseppe Zanotti shoes are so disproportionately battleship large. Why such a half ass photoshop job trying to camouflage it?

  8. Anonymous Reply

    WOW her feet look huge. Even her beauty cant distract me from those giant looking yeti feet.

    • Hmmm, I do not particularly find anything strange in the size of her feet. They appear to me quite normal looking.

    • Hmmm, I do not particularly find anything strange in the size of her feet. They appear to me quite normal looking.

    • Hmmm, I do not particularly find anything strange in the size of her feet. They appear to me quite normal looking.

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